Title

Year

Format/ Accession#

Base

Genera-tion

Archival Catagory

Reel #

Footage

Source

Notes

Amarilly Of Clothes-Line Alley

1918

16mm
(74:7:1358)

Acetate

Pos

Access

2

1,973 ft.

Pickford Collection (1968)

Copied from LC 16mm archival negative.

Behind the Scenes
1914
35mm
(75:7:2228)
Nitrate
Pos
Master
5
4,486 ft.
John Allen, Sr. (1966)
Tinted.
Behind the Scenes
1914
35mm
(2000:0114:1)
Polyester
Neg
Preservation
5
4,159 ft.
John Allen, Sr. (1999)
Unique. Best extant material.
Behind the Scenes
1914
35mm
(2000:0321:1)
Polyester
Pos
Master
5
4,159 ft.
John Allen, Sr. (2000)
Tinted. Sections of printed in decomp.
Behind the Scenes
1914
35mm
(2000:1058:1)
Polyester
Pos
Access
5
4,159 ft.
John Allen, Sr. (1999)
Tinted. Sections of printed in decomp.
Behind the Scenes
1914
35mm
(2000:0113:1)
Polyester
Pos
Access
5
4,159 ft.
John Allen, Sr. (1999)
Tinted. Sections of printed in decomp.
Behind the Scenes
1914
35mm
(74:7:3431)
Acetate
Neg
Archival
5
4,487 ft.
John Allen, Sr. (1973)
 
Behind the Scenes
1914
35mm
(74:7:1009)
Acetate
Fine Grain
Master
3
4,491 ft.
John Allen, Sr. (1973)
 

Coquette [Talking Version]

1929

16mm
(74:7:1363)

Acetate

Composite Pos

Access

2

1,698 ft.

Pickford Collection (1957)

See also LC 16mm material.

Daddy-Long-Legs

1919

35mm
(75:7:2131)

Nitrate

Neg

Original

5

3,592 ft.

Warner Brothers Collection (1979)

Foreign camera negative.
Daddy-Long-Legs
1919
35mm
(84:0049:1)
Acetate
Fine Grain
Preservation
7
Approx. 4,853 ft.
Warner Brothers Collection (1984)
 
Daddy-Long-Legs
1919
35mm
(84:0051:1)
Acetate
Fine Grain
Preservation
1
183 ft.
Warner Brothers Collection (1984)
Intertitles only.

Daddy-Long-Legs

1919

16mm
(74:7:1366)

Acetate

Pos

Access

2

2,760 ft.

Pickford Collection (1957)

See also LC 16mm material.

Dorothy Vernon Of Haddon Hall

1924

16mm
(82:1588:1)

Acetate

Pos

Access

4

3,644 ft.

Pickford Collection (1957)

See also LC 16mm material.

Eagle's Mate, The
1914
35mm
(2000:0392:1)
Polyester
Pos
Master
6
4,961 ft.
Edwards Collection (2000)
Copied from BFI 35mm material.
Fanchon the Cricket
1915
35mm
(2000:0390:1)
Polyester
Pos
Master
2
4,383 ft.
Dalco Collection #4-7 (2000)
Copied from BFI 35mm material.

Foundling, The

1916

16mm
(74:7:1379)

Acetate

Pos

Access

2

1,966 ft.

Pickford Collection (1957)

See also LC 16mm material.
Best extant material. (2)

Heart O' The Hills

1919

35mm
(74:7:4142)

Nitrate

Neg

Original

6

3,976 ft.

Warner Brothers Collection (NA)

 

Heart O' The Hills

1919

16mm
(74:7:1384)

Acetate

Pos

Access

2

2,361 ft.

Pickford Collection (na)

See also LC 16mm material.

Hoodlum, The
1919
35mm
(75:7:2309)
Nitrate
Neg
Original
7
4,330 ft.
Warner Brothers Collection (NA)
Foreign release version "The Ragamuffin."
Hoodlum, The
1919
35mm
(74:7:1104)
Acetate
Fine Grain
Preservation
3
4,880 ft.
Warner Brothers Collection (1974)
 
Hoodlum, The
1919
16mm
(75:7:1488)
Acetate
Pos
Access
2
1,850 ft.
Warner Brothers Collection (1974)
 
Hoodlum, The
1919
35mm
(99:1160:1)
Polyester
Pos
Master
3
6,074 ft.
Pickford/Warner Brothers Collection (1999)
AMPAS- Identical 35mm material.

Johanna Enlists

1918

16mm
(74:7:1437)

Acetate

Pos

Access

2

1,612 ft.

Pickford Collection (1957)

LC-Identical 16mm print.
Best extant material. (2)

Johanna Enlists (excerpt)

1918

16mm
(97:1027:1)

Acetate

Pos

Access

1

334 ft.

Pickford Collection (1957)

See also LC 16mm material.

Kiki

1931

16mm
(74:7:1542)

Acetate

Composite Pos

Access

2

3,069 ft.

Pickford Collection (1957)

See also LC 16mm material.

Less Than The Dust

1916

16mm
(74:7:1390)

Acetate

Pos

Access

2

2,437 ft.

Pickford Collection (1957)

See also LC 16mm material.

Little American, The

1917

35mm
(74:7:3256)

Acetate

Pos

Preservation

3

5,131 ft.

Pickford Collection (1952)

See also LC 16mm material copied from the Pickford Collection in 1947.

Little American, The [outtakes]

1917

35mm
(74:7:0686)

Acetate

Pos

Preservation

6

2,991 ft.

Pickford Collection (1952)

See also LC 16mm material copied from the Pickford Collection in 1947.
Little Annie Rooney
1925
35mm
(74:7:3359)
Acetate
Neg
Preservation
1
954 ft.
Pickford Collection (1952)
 
Little Annie Rooney
1925
35mm
(74:7:3255)
Acetate
Fine Grain
Preservation
5
7,632 ft.
Pickford Collection (1952)
 

Little Annie Rooney

1925

16mm
(74:7:1599)

Acetate

Pos

Access

2

3,309 ft.

Pickford Collection (1952)

See also LC 16mm material.

Little Lord Fauntleroy

1921

16mm
(74:7:1392)

Acetate

Pos

Access

3

4,060 ft.

Pickford Collection (1957)

See also LC 16mm material copied from the Pickford Collection in 1947.
Little Princess, A
1917
35mm
(74:7:3384)
Acetate
Neg
Preservation
5
4,877 ft.
Pickford Collection (1952)
Best extant material.

Little Princess, A

1917

16mm
(74:7:1504)

Acetate

Pos

Access

2

1,947 ft.

Pickford Collection (1952)

See also LC 16mm material.

Love Light, The

1921

16mm
(74:7:1566)

Acetate

Pos

Access

2

2,355 ft.

Pickford Collection (1957)

See also LC 16mm material copied from the Pickford Collection in 1947.
See also UCLA 16mm material.

M'liss

1918

16mm
(74:7:1404)

Acetate

Pos

Access

2

1,971 ft.

Pickford Collection (1958)

  See also LC 16mm material.

Madame Butterfly

1915

16mm
(74:7:1395)

Acetate

Pos

Access

2

2,069 ft.

Pickford Collection (1957)

See also LC 16mm material.

My Best Girl

1927

16mm
(74:7:1397)

Acetate

Pos

Access

2

2,881 ft.

Pickford Collection (1957)

  See also LC 16mm material copied from the Pickford Collection in 1948.

Pollyanna

1920

16mm
(74:7:1413)

Acetate

Pos

Access

2

2,134 ft.

Pickford Collection (1957)

See also LC 16mm material copied from the Pickford Collection in 1947.

Poor Little Peppina

1916

16mm
(74:7:1485)

Acetate

Pos

Archival

1

1,728 ft.

Pickford Collection (1957)

Best extant material. See also LC 16mm material.

Poor Little Rich Girl, The

1917

16mm
(74:7:1693)

Acetate

Pos

Access

2

2,045 ft.

Pickford Collection (1957)

See also LC 16mm material.

Pride Of The Clan, The

1917

16mm
(74:7:2679)

Acetate

Pos

Access

2

2,050 ft.

Pickford Collection (1957)

See also LC 16mm material.
Best extant material. (2)

Rags

1915

16mm
(74:7:1416)

Acetate

Pos

Access

2

1,923 ft.

Pickford Collection (1957)

See also LC 16mm material copied from the Pickford Collection in 1947.

Rebecca Of Sunnybrook Farm

1917

16mm
(74:7:1519)

Acetate

Pos

Access

1

1,755 ft.

Pickford Collection (1957)

See also LC 16mm material.

Romance of the Redwoods, A
1917
35mm
(74:7:4908)
Nitrate
Pos
Master
7
6,220 ft.
DeMille Collection (1967)
Tinted 1925 reisue print.
Romance of the Redwoods, A
1917
35mm
(74:7:3390)
Acetate
Neg
Preservation
7
6,237 ft
DeMille Collection (1967)
Unique. Best extant material.
Romance of the Redwoods, A
1917
35mm
(74:7:3263)
Acetate
Pos
Access
4
6,190 ft
DeMille Collection (1967)
 

Sparrows

1926

16mm
(74:7:1581)

Acetate

Pos

Access

2

2,936 ft.

Unknown

 

Stella Maris

1918

16mm
(74:7:1582)

Acetate

Pos

Access

2

2,702 ft.

Pickford Collection (1968)

GEH print copied from Pickford Collection material via Matty Kemp in 1968. Differs from material at LC.

Suds

1920

16mm
(74:7:1431)

Acetate

Pos

Access

2

2,086 ft.

Pickford Collection (1957)

See also LC 16mm material.

Taming of the Shrew, The
[Silent Version]

1929

16mm
(74:7:1433)

Acetate

Picture Pos

Access

2

2,395 ft.

Pickford Collection (1957)

See also LC 16mm material.
Best extant material.

Tess of the Storm Country

1914

16mm
(74:7:1426)

Acetate

Pos

Access

2

1,992 ft.

Pickford Collection (1957)

See also LC 16mm material copied from the Pickford Collection in 1947.

Tess of the Storm Country

1922

16mm
(74:7:1583)

Acetate

Pos

Archival

2

Approx. 3,828 ft.

Pickford Collection (1957)

See also LC 16mm material copied from the Pickford Collection in 1947.
Best extant material. (2)
Tess of the Storm Country
1922
16mm
(no number)
Acetate

Neg

Duplication

2

Approx. 3,828 ft.

Pickford Collection (1996)
 
Tess of the Storm Country
1922
16mm
(96:0081:1)
Acetate

Pos

Access

2

3,828 ft.

Pickford Collection (1996)
 

Through the Back Door

1921

35mm
(74:7:0931)

Acetate

Pos

Preservation

4

6,679 ft.

Pickford Collection (1952)

Best extant material.

Through the Back Door

1921

16mm
(74:7:1427)

Acetate

Pos

Access

2

2,669 ft.

Pickford Collection (1952)

See also LC 16mm material.